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H1000
Service Manual
Important Safety 9. Do not defeat the safety purpose of the polarized LEGAL DISCLAIMER
Instructions or grounding-type plug. A polarized plug has two blades
MUSIC Group accepts no liability for any loss which
with one wider than the other. A grounding-type plug
may be suffered by any person who relies either
has two blades and a third grounding prong. The wide
wholly or in part upon any description, photograph,
blade or the third prong are provided for your safety. If the
or statement contained herein. Technical specifications,
provided plug does not fit into your outlet, consult an
appearances and other information are subject to
electrician for replacement of the obsolete outlet.
change without notice. All trademarks are the property
10. Protect the power cord from being walked on or of their respective owners. MIDAS, KLARK TEKNIK,
pinched particularly at plugs, convenience receptacles, TURBOSOUND, BEHRINGER, BUGERA and DDA are
Terminals marked with this symbol carry
and the point where they exit from the apparatus. trademarks or registered trademarks of MUSIC Group IP
electrical current of sufficient magnitude
to constitute risk of electric shock. 11. Use only attachments/accessories specified by Ltd. © MUSIC Group IP Ltd. 2014 All rights reserved.
Use only high-quality professional speaker cables with the manufacturer.
¼" TS or twist-locking plugs pre-installed. All other 12. Use only with the Please note: This service manual is a
installation or modification should be performed only cart, stand, tripod, bracket, reproduction from our archives, and is
by qualified personnel. or table specified by the offered in good faith for information
This symbol, wherever it appears, manufacturer, or sold with only. It may contain information which
alerts you to the presence of uninsulated the apparatus. When a cart is out of date, such as schematics,
dangerous voltage inside the is used, use caution when PCB layouts, part numbers, specific test
enclosure - voltage that may be sufficient to constitute a moving the cart/apparatus and repair procedures, illustrations,
risk of shock. combination to avoid and contact information, etc. Due to the
injury from tip-over. age of the unit, spare parts, repair services,
This symbol, wherever it appears, technical support, and maintenance contracts
13. Unplug this apparatus during lightning storms or
alerts you to important operating and may no longer be available. Please contact
when unused for long periods of time.
maintenance instructions in the us at [email protected] for
accompanying literature. Please read the manual. 14. Refer all servicing to qualified service personnel. more information.
Servicing is required when the apparatus has been
Caution damaged in any way, such as power supply cord or plug Warning: This service manual is
To reduce the risk of electric shock, do not is damaged, liquid has been spilled or objects have fallen for the use of experienced and
remove the top cover (or the rear section). into the apparatus, the apparatus has been exposed qualified service technicians only.
No user serviceable parts inside. Refer servicing to to rain or moisture, does not operate normally, or has Warning: Follow all standard
qualified personnel. been dropped. safety precautions when servicing
Caution 15. The apparatus shall be connected to a MAINS socket this equipment. Hazardous
To reduce the risk of fire or electric shock, outlet with a protective earthing connection. voltages may be present within the equipment,
do not expose this appliance to rain and 16. Where the MAINS plug or an appliance coupler is and failure to follow precautions may lead to
moisture. The apparatus shall not be exposed to dripping used as the disconnect device, the disconnect device shall permanent injury or death.
or splashing liquids and no objects filled with liquids, remain readily operable. Caution: Follow all standard ESD
such as vases, shall be placed on the apparatus.
17. Correct disposal of this precautions when servicing this
Caution product: This symbol indicates that equipment. Failure to follow ESD
These service instructions are for use this product must not be disposed precautions may cause damage to
by qualified service personnel only. of with household waste, the equipment being repaired.
To reduce the risk of electric shock do not perform any according to the WEEE Directive
servicing other than that contained in the operation (2012/19/EU) and your national
instructions. Repairs have to be performed by qualified law. This product should be taken
service personnel. to a collection center licensed for the recycling of waste
electrical and electronic equipment (EEE). The
1. Read these instructions.
mishandling of this type of waste could have a possible
2. Keep these instructions. negative impact on the environment and human health
3. Heed all warnings. due to potentially hazardous substances that are generally
4. Follow all instructions. associated with EEE. At the same time, your cooperation
in the correct disposal of this product will contribute to
5. Do not use this apparatus near water.
the efficient use of natural resources. For more
6. Clean only with dry cloth. information about where you can take your waste
7. Do not block any ventilation openings. Install in equipment for recycling, please contact your local city
accordance with the manufacturer's instructions. office, or your household waste collection service.
8. Do not install near any heat sources such as
radiators, heat registers, stoves, or other apparatus
(including amplifiers) that produce heat.
SERVICE MANUAL
Klark Teknik Group,
Klark Teknik Building,
Walter Nash Road,
Kidderminster.
Worcestershire.
DY11 7HJ.
England.
Tel:+44 (0) 1562 741515
Fax:+44 (0) 1562 745371
Email: [email protected]
Website: midasconsoles.com
Walter Nash Road, Kidderminster, Worcestershire. DY11 7HJ. England
Tel: (44) (0) 1562 741515. Fax: (44) (0) 1562 745371
Company Registration No: 2414018
abc d abc
SI GN A L P R O CE SSI N G BY D E FI N I T I ON BETTER BY DESIGN DESIGNED FOR APURE PERFORMANCE
DECLARATION OF CONFORMITY
We, Klark Teknik Group (UK) Plc
of, Klark Teknik Building, Walter Nash Road, Kidderminster, Worcestershire, DY11 7HJ
Declare that a sample of the following product:-
Product Type Number Product Description Nominal Voltage (s) Current Freq
Heritage 1000 115V AC 130mA 50/60Hz
230V AC 260mA
to which this declaration refers, is in conformity with the following directives and/or standards:-
Directive(s) Test Standard(s)
Generic Standard using EN55103 Limits and Methods EN50081/2
Class B Conduct Emissions EN550103
Class B Radiated Emissions EN550103
Fast Transient Bursts EN61000-4-4
Static Discharge EN61000-4-2
Basic Electrical Safety EN60204
Signed:............................ Date: 26th May, 2000
Name: David Hoare
Authority: Technical Director, Klark Teknik Group (UK) Plc
Attention!
Where applicable, the attention of the specifier, purchaser, installer or user is drawn to special limitations of use
which must be observed when these products are taken into service to maintain compliance with the above
directives. Details of these special measures and limitations to use are available on request and are available
in product manuals.
A Subsidiary of Telex communications, Inc.
ATTENTION!
The following special limitations apply to the console and must be observed in order to maintain safety and
electromagnetic compatibility performance:
POWER CONNECTION
The console should only be operated with the power supply connected to ground via its mains supply connector.
CONTROL CONNECTIONS
The console should only be operated with high quality screened control cables. All connector shells should be
of metal construction so that they provide a screen when they are plugged into the console. All XLR and DIN
connectors should have pin 1 connected to the cable screen.
AUDIO CONNECTIONS
The console should only be operated with high quality screened twisted pair audio cables. All connector shells
should be of metal construction so that they provide a screen when they are plugged into the console. All JACK
connector shells should be connected to the cable screen. All XLR connectors should have pin 1 connected to
the cable screen.
ELECTRIC FIELDS
If the console is operated in an electromagnetic field that is amplitude modulated by an audio frequency signal,
the signal to noise ratio may be degraded. Degradation of up to 60dB may be experienced under extreme
conditions (3V/m, 90% modulation).
INSTALLATION
There are a number of points to consider when installing a mixing console. Many of these points will have
been addressed before the console is even unpacked but it is worth repeating them.
POSITION
The console should be located in a convenient space commensurate with the use to which the console is being
put. Ideally a cool area is preferred not in close proximity to power distribution equipment or other potential
sources of interference. Provision should be made for some flat surface surrounding the console to prevent
people using it as a table top.
POWER
The power supply should be located as far from the console as the connecting cable will allow. It should be
set for the appropriate line voltage and plugged into the mains outlet using the supplied cable.
THE POWER SUPPLY SHOULD NEVER BE OPERATED
WITH THE MAINS EARTH DISCONNECTED
Please note that the power supply contains LETHAL VOLTAGES greatly in excess of the mains voltage and
that its rails can produce extremely large currents which could burn out equipment and wiring if shorted. All
testing and servicing should ONLY be carried out by qualified engineers.
HERITAGE 1000 CONNECTORS
R
MIDI In
BUS
IN
MIDI Pin 2: Ground
Pin 4: In+
Pin 5: In-
Input / Output XLR MIDI Thru
Pin 1: Ground Pin 2: Ground
Pin 2: Hot Pin 4: In+
Pin 3: Cold Pin 5: In-
MIDI Out
THRU
OUT
Pin 2: Ground
IN
Pin 4: In+
Pin 5: In-
Midas Can Bus
RS-232
CAN Pin 1: +18V (100mA max)
Pin 2: Receive Data BUSS Pin 2: Can low
Pin 3: Transmit Data
Pin 3: OV Can
Pin 5: GND
Pin 4: Can High
RS-232 Pin 5: -18V(100mA max)
Input Send / Return
Tip: Hot
Ring: Cold
Sleeve: Ground
CONTENTS
Midas HS1001 Mono Input Module Page 1
Midas HS1004 Stereo Input Module Page 5
Midas HS1011 Group Module Page 9
Midas HS1012 Stereo Aux Group Module Page 13
Midas HS1021 Master Module Page 17
Midas HS1041 Matrix Module Page 21
Midas HS1033 Automation Module Page 24
Heritage Menu Overview V1.02 Page 32
Heritage Back Panel Page 38
Frame Measurements Page 40
Frame layout and Measurements Page 41
Heritage Overview and Statistics Page 42
Heritage Technical Specifications Page 44
Block Diagrams
Input Module Page 46
Group Module Page 47
Matrix Module Page 48
Master Module Page 49
Monitor Module Page 50
input
B 48V
25 35
gain
15 60
O PAD
5k 10k
treble
2k 20k
gain
1k 3k
freq
hi 400 8k
Midas HS1001
mid 0.3 0.6
0.1 2
0.3 0.6
lo
0.1 2
mid 300 800
bass
20
100
50
2k
100
200
Mono Input
Module
insert
PRE EQ
60 160
20 400
high
pass
0
level 1
+6 on
PRE PRE
0 on
level
+6
2
0
level 3
+6 on
PRE PRE
0 on
level
+6
4
0
level 5
+6 on
PRE PRE
0 on
level
+6
6
0
level
(pan) +6
7
on
PRE PRE
0
on
level
+6
8
0
level
(pan) +6
9
on
PRE PRE
0
on
level
+6
10
masters ST
masters MONO
masters SIS
C
pan
l r
pan to PAN
groups
MUTE
disable all
automation
SAFE
10
+15
+12
+9
+6
+3
5 0
-3
-6
-9
-25
0 -28
5 1
2
3
10 a
s4
15 s5
I 6
20 g7
n8
25
9
30 10
40
50 SET
O
O
SOLO
input
MIDAS HS1001
1
The INPUT B switch disconnects the
main XLR input from the channel and
replaces it with the second (B) input.
The B input is also an XLR but it is
normalled through a ¼ inch jack
The 48V switch connects 48 volt
socket which provides a input for input
phantom power to both of the XLR
signals which require protection
B 48V input connectors. This is suitable for a
against accidental 48 volt connection.
condenser microphone or DI box.
All inputs can be used for Mic or Line 35
25
level signals and the input B switching The GAIN control gives continuous
facility provides an easy way to adjustment of the input amplifier gain
activate a back up source for critical gain from + 15dB to + 60dB.
15 60
The PHASE switch activates a 180 The PAD switch gives 30dB of
degrees phase change within the input O PAD
attenuation to the input signal which
amplifier. will allow the connection of high
5k 10k
output microphones or line level
The TREBLE (dual concentric top) signals. If the input amplifier is
control gives continuous adjustment of transformer coupled (option) the pad
boost and cut from + 15dB to - 15dB treble
2k 20k greatly reduces the risk of saturation at
with a 0dB centre detent. gain very low frequencies.
1k 3k
The treble FREQ. (dual concentric The hi mid FREQ. (dual concentric
bottom) control gives continuous freq bottom) control gives continuous
adjustment of the frequency range that adjustment of the frequency range that
the treble equaliser acts on from 2K to hi 400 8k
mid 0.3 0.6 the hi mid equaliser acts on from
20K. The treble equaliser has a 400Hz to 8K.
shelving response.
The HI MID (dual concentric top)
The hi mid WIDTH control gives 0.1 2
control gives continuous adjustment of
continuous adjustment of bandwidth 0.3 0.6
boost and cut from + 15dB to - 15dB
from 0.1 to 2 octaves with a 0.4 octave with a 0dB centre detent.
centre point. lo
0.1 2
mid 300 800 The LO MID (dual concentric top)
The lo mid WIDTH control gives control gives continuous adjustment of
continuous adjustment of bandwidth boost and cut from + 15dB to - 15dB
from 0.1 to 2 octaves with a 0.4 octave with a 0dB centre detent.
centre point.
100 2k
The BASS (dual concentric top) 50 100 The lo mid FREQ. (dual concentric
control gives continuous adjustment of bass bottom) control gives continuous
boost and cut from + 15dB to - 15dB adjustment of the frequency range that
with a 0dB centre detent. the lo mid equaliser acts on from
20 200 100Hz to 2K.
insert
The bass FREQ. (dual concentric PRE EQ
bottom) control gives continuous
adjustment of the frequency range that The EQ switch connects the equaliser
60 160
the bass equaliser acts on from 20Hz in the input channel signal path.
to 200Hz. The bass equaliser has a
shelving response. The HI PASS filter control is
20 400 continuously adjustable from 20Hz to
high 400Hz.
The insert PRE switch arranges the pass
input channel signal to pass through The HI PASS switch connects the filter
the equaliser before the insert point in the input channel signal path before
when activated and after the insert the insert point and equaliser.
point when not activated.
2
0
level 1
+6 on
PRE PRE
0 on
level
+6
2 The AUX controls (1 to 10) give
continuous adjustment of the level sent
0
from the input channel to the aux
level 3 busses. The level adjustment is from +
6dB to off.
+6 on
PRE PRE
0 on
level
+6
4
0
level 5
+6 on Aux send ON/OFF switching is
achieved using the console assignment
The aux PRE switches change the PRE PRE system. A LED next to each aux pot
signal sent to the aux busses from post provides indication of status. The
fader to pre fader. 0 on
assignments may also be stored as part
level
+6
6 of a snapshot scene. Use of a matrix
module in conjunction with the
assignment system can provide a
0 useful means to automatically recall
Aux 7,8,9 and 10 can be configured as
stereo level and pan if required by
pressing the stereo switch on the
level
(pan) +6
7 alternate feed levels to effects
processors from the module.
appropriate group modules. on
PRE PRE
0
on
level
+6
8 When configured as stereo auxes only
the right switches are active.
0
level
(pan) +6
9
on
PRE PRE
0
on
level
+6
10
3
The ST switch connects the post fader
channel signal to the master stereo bus
masters ST
The MONO switch connects the post
masters MONO fader channel signal to the mono
The PAN defaults to control the
master bus.
channel placement within the master masters SIS
stereo mix and has a constant power C The SIS switch enables the spatial
law. i.e. - 3dB at the centre position.
imaging system which operates in
conjunction with the pan control to
The PAN to groups switch changes all pan produce a left, centre, right mix. It also
group bus assignments to operate via acts as a left, centre, right master bus
l r
the stereo pan pot. pan to enable overriding any stereo and mono
PAN
groups master bus assignments.
The recessed AUTOMATION
DISABLE switch sets the module to a The MUTE switch mutes the input
default routing state with all aux sends MUTE channel at all points after the insert
ON and all audio group and VCA send. The switch can be controlled
group assignments OFF. The switch is disable all
from snapshot automation and by
automation
not intended for normal console automute scenes.
operation and it should only be used in SAFE
the event of local automation failure.
10 The METER monitors the peak signal
The SAFE switch removes the entire +15
level of the pre fader input channel.
input channel from automute and +12
+9
snapshot automation control. +6
Assignment of audio and VCA buses +3
will continue to operate in the normal 5 0 The FADER gives continuous
-3
way as will VCA master control. This -6 adjustment of the input channel level
is particularly useful if a guest artist is -9 from + 10dB to off.
-25
introduced on a channel that would 0 -28
normally be used for another function. The ASSIGN LEDs are used to show
the status of the AUX, VCA, MUTE
5 1 and AUDIO group assignments. The
central controller MODE switches
2
toggle through the four available
3 states.
10 a
s4
15 s5 The SOLO switch sends the input
I 6 channel signal to the PFL mono and
20 g7 AFL stereo busses. If the switch is
n8 pressed for a short time it will latch on
25 or off, but, if it is held on for more
The SET switch is used to programme
9 than 1 second the latching is disabled
the channel AUX, VCA, MUTE and 30 10 and when the switch is released the
AUDIO assignment. The central
40 channel solo will turn off. As a default
controller MODE switches and 50 SET the solo system is auto cancelling so
ASSIGN keys select the desired
O
O
each new solo cancels the last. The
assignment function and the SET
SOLO ADD mode switch on the
switch toggles the channel on and off SOLO master module defeats the auto
with each alternate press.
cancelling and allows multiple channel
monitoring. In this mode input solos
have priority over outputs and will
input temporarily override any active output
solos. If the master module SOLO SIS
MIDAS HS1001
is enabled the solo buses will switch to
LCR operation.
4
left O 48V
25 35
left
gain right
15 60
right O PAD
0
treble
5k
15 15
0
1k 20k
freq
Midas HS1004
hi-mid
2k
15 15
HI Q
400 8k 0
freq
lo-mid
500
Stereo Input
15 15
HI Q
0
100 2k
freq
bass
100
15 15
Module
20 400
freq
EQ EQ
60 160
high
pass
20 400
0
level
1
+6 on
PRE PRE
level c
0 on
l r
2
0
level
3
+6 on
PRE PRE
level c
0 on
l r
4
0
level
5
+6 on
PRE PRE
level c
0 on
l r
6
0
level
7
+6 on
PRE PRE
level c
0 on
l r
8
0
level
9
+6 on
PRE PRE
level c
0 on
l r
10
masters ST
masters MONO
to
LEFT RIGHT
both
C
bal
l r
pan to PAN
groups
MUTE
auto
disable
SAFE
10
+18
+15
+12
+9
+6
+3
5 0
-3
-6
-9
0 -25
1
5 2
3
a
s 4
10
s5
15 I 6
g7
20 n8
9
25
10
30
40 SET
50
O
O
SOLO
stereo input
MIDAS HS1004
5
The 48V switch connects 48 volt
phantom power to both of the XLR
input connectors. This is suitable for a
condenser microphone or DI box.
The dual concentric GAIN control
left O 48V
gives continuous and independent
The left PHASE switch activates a 180
degrees phase change within the left adjustment of the input amplifier gains
25 35 from + 15dB to + 60dB. The left
input amplifier. left
channel is on top and the right channel
is on the bottom.
The right PHASE switch activates a gain right
180 degrees phase change within the 15 60
right input amplifier. The PAD switch gives 30dB of
right O PAD attenuation to the input signal which
will allow the connection of high
The TREBLE control gives continuous output microphones or line level
0
adjustment of boost and cut from signals. If the input amplifier is
+15dB to - 15dB. transformer coupled (option) the pad
treble
5k
greatly reduces the risk of saturation at
15 15 very low frequencies.
The treble FREQ control gives
continuous adjustment of the
frequency range that the treble
0 The HI MID control gives continuous
equaliser acts on from 1K to 20K. 1k 20k
freq adjustment of boost and cut from +
hi-mid 15dB to - 15dB.
2k
The hi mid FREQ control gives 15 15 The HI Q control changes the
continuous adjustment of the HI Q bandwidth of the mid equaliser from
frequency range that the hi mid 1.5 octave to 0.5 octave.
equaliser acts on from 400Hz to 8K. 400 8k 0
freq The LO MID control gives continuous
adjustment of boost and cut from +
lo-mid 15dB to - 15dB.
500
The lo mid FREQ control gives 15 15 The HI Q control changes the
continuous adjustment of the bandwidth of the mid equaliser from
frequency range that the lo mid HI Q
1.5 octave to 0.5 octave.
equaliser acts on from 100Hz to 2K. 100 2k
0
freq
bass The BASS control gives continuous
100 adjustment of boost and cut from +
15 15 15dB to - 15dB.
The bass FREQ control gives
continuous adjustment of the
frequency range that the bass equaliser
20
acts on from 20Hz to 400Hz. freq400 The left and right EQ switches connect
the equaliser into the input channel
EQ EQ signal paths.
60 160
high The HI PASS filter control is
pass continuously adjustable from 20Hz to
400Hz.
The left and right HI PASS switches 20 400
connect the filters in the input channel
signal path before the insert points.
6
0
level
1 The AUX controls (1 to 10) give
+6 on
continuous adjustment of the level sent
PRE PRE from the input channel to the aux
busses. The level adjustment is from +
c
0 on 6dB to off. All aux signals default as a
level mono sum of the left and right channel
l r
2 but aux 7,8,9 and 10 can also be
configured in stereo if required by
0
pressing the stereo switch on the
level appropriate group modules.
3
+6 on
PRE PRE
The aux PRE switches change the
signal sent to the aux busses from post c
0 on Aux send ON/OFF switching is
level achieved using the console assignment
4
fader to pre fader.
system. A LED next to each aux pot
l r provides indication of status. The
assignments may also be stored as part
0
level of a snapshot scene.
5
+6 on
PRE PRE
c
0 on
level
l r
6
0
level
7
+6 on
PRE PRE
c
0 on
level
l r
8
0
level
9
+6 on
PRE PRE
c
0 on
level
l r
10
7
The LEFT TO BOTH switch takes the The ST switch connects the post fader
left input and routes it to all left and channel signal to the master stereo bus
right outputs; cutting the right input masters ST via the bal control.
signal.
masters MONO The MONO switch connects the post
The RIGHT TO BOTH switch takes to fader channel signal to the mono
the right input and routes it to all left LEFT RIGHT master bus.
both
and right outputs; cutting the left input C
signal. Pressing both of the above bal
The PAN to groups switch changes all
The BALANCE (pan) control is used group bus assignments to operate via
to balance the relative levels of the left the stereo balance control. When the
and right channel signals that are sent l r switch is off the group assignments
to the master stereo mix. The control pan to remain in stereo but without the
PAN
has a constant power law, i.e. 0dB at groups balance trim facility.
the centre position and + 3dB or off at
either extreme setting. The MUTE switch mutes the input
MUTE
channel at all points after the insert
The recessed AUTOMATION send. The switch can be controlled
auto
DISABLE switch sets the module disable from snapshot automation and by
to a default routing state with all aux SAFE
automute scenes.
sends ON and all audio group and
VCA group assignments OFF. The 10
switch is not intended for normal +18
+15
console operation and it should only +12
be used in the event of local +9 The METER monitors the peak signal
+6
automation f a i l u r e . +3 level of the pre fader input channel.
5 0
The SAFE switch removes the entire -3
-6
input channel from automute and -9
snapshot automation control. -25 The FADER gives continuous
0
Assignment of audio and VCA buses adjustment of the input channel level
will continue to operate in the normal from +10dB to off.
1
way as will VCA master control. This 5 2
is particularly useful if a guest artist is The ASSIGN LEDs are used to show
introduced on a channel that would 3 the status of the AUX, VCA, MUTE
a and AUDIO group assignments. The
normally be used for another function. 10 s4
s5 central controller MODE switches
15 I 6 toggle through the four available
g7 states.
20 n8
The SET switch is used to programme The SOLO switch sends the input
9 channel signal to the PFL mono and
the channel AUX, VCA, MUTE and 25
10 AFL stereo busses. If the switch is
AUDIO assignment. The central 30
controller MODE switches and pressed for a short time it will latch on
40 SET or off, but, if it is held on for more than
ASSIGN keys select the desired 50
assignment function and the SET 1 second the latching is disabled and
O
O
switch toggles the channel on and off when the switch is released the channel
with each alternate press. solo will turn off. As a default the solo
SOLO system is auto cancelling so each new
solo cancels the last. The SOLO ADD
mode switch on the master module
stereo input defeats the auto cancelling and allows
multiple channel monitoring. In this
MIDAS HS1004 mode input solos have priority over
outputs and will temporarily override
any active output solos.
8
+21
+18
+15
+12
+9
+6
+3
0
-3
-6
-9
-12
-15
-18
-21
-24
-27
MIDAS HS1011
-30
-33
-36
bus
peak
meter
9
aux
auxiliary
Group Module
master
select TALK
reverse O
aux
group MUTE
SAFE
0
+10
level
SOLO
fader
swap 9
master ST
master MONO
master SIS
pan C
l r
group
MUTE
aux
SAFE
10
5
0
5
10
15
20
25
30
40
50
o
o
SOLO
vca MUTE
auto
disable
SAFE
10
5
0
5
10
15
20
25
30
40
50
o
o
group
MIDAS HS1011
9
+21
+18
+15
+12
+9
+6
+3
0
-3
-6 The METER monitors the peak signal
-9 level of the post fader sub group
-12 outputs and the BUS PEAK LED
-15
-18 indicates that signals are near clipping
-21 on the sub group bus (pre insert
-24 signals).
-27
-30
-33
-36
The METER TO AUX switch moves
bus the meter and peak LED to monitor
peak
aux signals in place of the sub group
meter signals.
9
aux
The TALK switch connect the master auxiliary
module talkback systems to the The PHASE switch activates a 180
master
individual aux send busses. The degrees phase change within the post
master module can route it's oscillator, select TALK
fader aux signal path. This will effect
pink noise, external input or talk mic. the post fader feeds to the matrix as
reverse O well as the main aux outputs.
The MUTE switch mutes the aux post
.
level control signals. The switch can be
aux controlled from snapshot automation.
group MUTE
The SAFE switch removes the aux
mute from snapshot automation
SAFE control.
The aux LEVEL control gives 0
continuos adjustment of output levels The SOLO switch sends the aux signal
from +10dB to off. to the PFL mono and AFL stereo
busses. If the switch is pressed for a
+10 short time it will latch on or off, but, if
level it is held on for more than 1 second the
SOLO
latching is disabled and when the
switch is released the channel solo will
The FADER SWAP switch swaps the turn off. As a default the solo system is
group output faders and aux master auto cancelling so each new solo
rotary controls along with their solo cancels the last. The SOLO ADD mode
and mute switches. Connections for switch on the master module defeats
inserts and XLR outputs are the auto cancelling and allows multiple
unaffected. channel monitoring. In this mode input
fader
swap 9 solos have priority over outputs and