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01V96




DIGITAL MIXING CONSOLE


SERVICE MANUAL




CONTENTS
SPECIFICATIONS ................................................... 4
DIMENSIONS .......................................................... 12
PANEL LAYOUT .................................. 13
CIRCUIT BOARD LAYOUT ............... 21
DISASSEMBLY PROCEDURE ............................ 23
INSTALLING AN OPTIONAL CARD
............................................ 32
LSI PIN DESCRIPTION ................................ 33
IC BLOCK DIAGRAM .................................. 41
CIRCUIT BOARDS ....................................... 46
INSPECTIONS ....................................................... 76/83
SERVICE CHECK PROGRAM ... 90/102
INITIALIZING THE 01V96 ....................... 114
TRANSMITTING PARAMETER SETTINGS VIA MIDI (BULK DUMP)
.... 115/117
CHECKING THE BATTERY AND THE SYSTEM VERSION
.......... 119
CALIBRATING THE FADERS
................................... 119
MIDI DATA FORMAT ............... 120
MIDI IMPLEMENTATION CHART
............................ 134
PARTS LIST
BLOCK DIAGRAM
OVERALL CONNECTOR CIRCUIT DIAGRAM

This document is printed on chlorine free (ECF) paper with soy ink. CIRCUIT DIAGRAM




PA 011680
200304-250000 HAMAMATSU, JAPAN 1
1.329K-1933 Printed in Japan '03.03
01V96




IMPOR TANT NOTICE
This manual has been provided for the use of authorized Yamaha Retailers and their service personnel. It has been assumed
that basic service procedures inherent to the industry, and more specifically Yamaha Products, are already known and under-
stood by the users, and have therefore not been restated.

WARNING : Failure to follow appropriate service and safety procedures when servicing this product may result in per-
sonal injury, destruction of expensive components and failure of the product to perform as specified. For
these reasons, we advise all Yamaha product owners that all service required should be performed by an
authorized Yamaha Retailer or the appointed service representative.

IMPORTANT : This presentation or sale of this manual to any individual or firm does not constitute authorization certifi-
cation, recognition of any applicable technical capabilities, or establish a principal-agent relationship of
any form.

The data provided is belived to be accurate and applicable to the unit(s) indicated on the cover. The research engineering, and
service departments of Yamaha are continually striving to improve Yamaha products. Modifications are, therefore, inevitable
and changes in specification are subject to change without notice or obligation to retrofit. Should any discrepancy appear to
exist, please contact the distributor's Service Division.

WARNING : Static discharges can destroy expensive components. Discharge any static electricity your body may have
accumulated by grounding yourself to the ground bus in the unit (heavy gauge black wires connect to
this bus.)

IMPORTANT : Turn the unit OFF during disassembly and parts replacement. Recheck all work before you apply power
to the unit.



WARNING: CHEMICAL CONTENT NOTICE!
The solder used in the production of this product contains LEAD. In addition, other electrical/electronic and/or plastic (Where
applicable) components may also contain traces of chemicals found by the California Health and Welfare Agency (and possibly
other entities) to cause cancer and/or birth defects or other reproductive harm.

DO NOT PLACE SOLDER, ELECTRICAL/ELECTRONIC OR PLASTIC COMPONENTS IN YOUR MOUTH FOR ANY REASON WHAT
SO EVER!

Avoid prolonged, unprotected contact between solder and your skin! When soldering, do not inhale solder fumes or expose
eyes to solder/flux vapor!

If you come in contact with solder or components located inside the enclosure of this product, wash your hands before handling
food.


WARNING: THIS APPARATUS MUST BE EARTHED
IMPORTANT
THE WIRES IN THIS MAINS LEAD ARE COLOURED IN
ACCORDANCE WITH THE FOLLOWING CODE:
GREEN-AND-YELLOW : EARTH
BLUE : NEUTRAL
BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus may
not correspond with the coloured markings identifying the terminals in
your plug, proceed as follows:
The wire which is coloured GREEN and YELLOW must be
connected to the terminal in the plug which is marked by the letter E
or by the safety earth symbol or coloured GREEN and YELLOW.
The wire which is coloured BLUE must be connected to the terminal
which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the
terminal which is marked with the letter L or coloured RED.
* This applies only to products distributed by YAMAHA KEMBLE
MUSIC (U.K.) LTD.


WARNING
Components having special characteristics are marked and must be replaced with parts having specification equal to those
originally installed.




2
01V96




LITHIUM BATTERY HANDLING
This product uses a lithium battery for memory back-up.
WARNING : Lithium batteries are dangerous because they can be exploded by improper handling. Observe the following pre-
cautions when handling or replacing lithium batteries.
Leave lithium battery replacement to qualified service personnel.
Always replace with batteries of the same type.
When installing on the PC board by soldering, solder using the connection terminals provided on the battery cells.
Never solder directly to the cells. Perform the soldering as quickly as possible.
Never reverse the battery polarities when installing.
Do not short the batteries.
Do not attempt to recharge these batteries.
Do not disasemble the batteries.
Never heat batteries or throw them into fire.
ADVARSEL!
Lithiumbatteri-Eksplosionsfare ved fejlagtig handtering. Udskiftning ma kun ske med batteri af samme fabrikat og type. lever det brugte
batteri tilbage til leverandren.
VARNING
Explosionsfara vid felaktigt batteribyte.
Anvand samma batterityp eller en ekvivalent typ som rekommenderas av apparattillverkaren.
Kassera anvant batteri enligt fabrikantens instruktion.
VAROITUS
Paristo voi rajahtaa, jos se on virheellisesti asennettu.
Vaihda paristo ainoastaan laitevalmistajan suosittelemaan tyyppiiin.
Havita kaytetty paristo valmistajan ohjeiden mukaisesti.
The following information complies with Dutch official Gazette 1995. 45; ESSENTIALS OF ORDER ON THE COLLECTION OF BATTERIES.
· Please refer to the diassembly procedure for the removal of Back-up Battery.
· Leest u voor het verwijderen van de backup batterij deze beschrijving.




Take care not to trap your fingers.




3
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SPECIFICATIONS


General Spec
Number of scene memories 99
Internal 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
Sampling Frequency Normal rate: 44.1 kHz­10% to 48 kHz+6%
External
Double rate: 88.2 kHz­10% to 96 kHz+6%
fs=48 kHz Less than 1.6 ms CH INPUT to STEREO OUT
Signal Delay
fs=96 kHz Less than 0.8 ms CH INPUT to STEREO OUT
Fader 100 mm motorized with touch sense × 17
+10 to ­138, ­ dB input faders
Fader Resolution
0 to ­138, ­ dB master faders, stereo fader
Less than 0.05% 20 Hz­20 kHz @ +14 dB into 600
Total Harmonic Distortion*1 fs=48 kHz Less than 0.01% 1 kHz @ +24 dB into 600
(CH INPUT to STEREO OUT)
(Input Gain=Min.) Less than 0.05% 20 Hz­40 kHz @ +14 dB into 600
fs=96 kHz
Less than 0.01% 1 kHz @ +24 dB into 600
Frequency Response fs=48 kHz 20 Hz­20 kHz, 0.5, ­1.5 dB @ +4 dB into 600
(CH INPUT to STEREO OUT) fs=96 kHz 20 Hz­40 kHz, 0.5, ­1.5 dB @ +4 dB into 600
110 dB typ. DA Converter (STEREO OUT)
Dynamic Range
105 dB typ. AD+DA (to STEREO OUT) @ fs=48 kHz
(maximum level to noise level)
105 dB typ. AD+DA (to STEREO OUT) @ fs=96 kHz
­128 dB Equivalent Input Noise
­86 dB residual output noise. STEREO OUT (STEREO OUT off)
Hum & Noise*2 Input Gain=Max. ­86 dB (90 dB S/N) STEREO OUT
(20 Hz­20 kHz) Input Pad =0 dB (STEREO fader at nominal level and all CH INPUT faders at minimum level)
Rs=150 Input Pad =0 dB
­64 dB (68 dB S/N) STEREO OUT
Input Sensitivity
(STEREO fader at nominal level and one CH INPUT fader at nominal level)
=­60 dB
74 dB CH INPUT (CH1­12) to STEREO OUT/OMNI (BUS) OUT
40 dB CH INPUT (CH13­16) to STEREO OUT
Maximum Voltage Gain
74 dB CH INPUT (CH1­12) to OMNI (AUX) OUT (via pre input fader)
74 dB CH INPUT (CH1­12) to MONITOR OUT (via STEREO BUS)
Crosstalk 80 dB adjacent input channels (CH1­12)
(@ 1 kHz) 80 dB adjacent input channels (CH13­16)
Input Gain=Min. 80 dB input to output
Phantom switch +48 V DC (each 4ch)
Pad switch 0/20 dB attenuation
Gain control 44 dB (­60 to ­16), detented
LED (red) turns on when post HA level reaches 3 dB below clipping at dig-
AD Input (1­12) Peak indicator
ital domain
LED (green) turns on when post HA level reaches 20 dB below nominal at
Signal indicator
digital domain
24-bit linear, 128-times oversampling (fs=44.1, 48 kHz), 64-times over-
AD converter
sampling (fs=88.2, 96 kHz)
Gain control 30 dB (­26 to +4), detented
LED (red) turns on when post HA level reaches 3 dB below clipping at dig-
Peak indicator
ital domain
LED (green) turns on when post HA level reaches 20 dB below nominal at
AD Input (13­16) Signal indicator
digital domain
24-bit linear, 128-times oversampling (fs=44.1, 48 kHz), 64-times over-
AD converter
sampling (fs=88.2, 96 kHz)
Input selector CH15/16/2TR IN for CH15/16



4
01V96




Digital Input
(2TR IN DIGITAL, ADAT input)
Option Input (SLOT) Available cards Optional digital interface cards (MY16, MY8, MY4 series)
Input patch --
Phase Normal/reverse
On/off
Gate-type *3
Key in: 12 ch Group (1­12, 13­24, 25­32)/AUX1­8
On/off
Comp-type*4 Key in: self /Stereo Link
Pre EQ/pre fader/post fader
Attenuator ­96.0 to +12.0 dB (0.1 dB step)
4-band PEQ (TYPE1) *5
EQ
On/off
Delay 0­43400 samples
On/off --
Input Channel CH1­32 Fader 100 mm motorized (INPUT/AUX1­8)
On/off
Aux send
AUX1­8; pre fader/post fader
On/off
Solo
Pre fader/after pan
Pan 127 positions (Left= 1­63, Center, Right= 1­63)
127 × 127 positions
Surround pan
[(Left= 1­63, Center, Right= 1­63)], [(Front= 1­63, Center, Rear= 1­63)]
LFE level ­, ­96 dB to +10 dB (256 step)
Routing STEREO, BUS1­8, DIRECT OUT
Direct out Pre EQ/pre fader/post fader
Displayed on LCD
Metering
Peak hold on/off
Input patch (L/R) --
Phase (L/R) Normal/reverse
Attenuator (L/R) ­96.0 to +12.0 dB (0.1 dB step)
Equalizer 4band PEQ (TYPE1) *5
On/off --
100 mm motorized
Fader
INPUT/AUX1­8 send
On/off
Aux send
Stereo Input Channel CH1­4 AUX1­8; pre fader/post fader
On/off
Solo
Pre fader/after pan
Pan (L/R) 127 positions (Left= 1­63, Center, Right= 1­63)
Surround pan 127 × 127 positions
(L/R) ([Left= 1­63, Center, Right= 1­63] x [Front= 1­63, Center, Rear= 1­63])
LFE level (L/R) ­, ­96 dB to +10 dB (256 step)
Routing STEREO, BUS1­8, DIRECT OUT
Displayed on LCD
Metering
Peak hold on/off
Level 0 to ­96 dB (1 dB step)
On/off --
OSCILLATOR
Waveform Sine 100 Hz, sine 1 kHz, sine 10 kHz, pink noise, burst noise
Routing BUS1­8, AUX1­8, STEREO L/R
24-bit linear, 128-times oversampling (@fs=44.1, 48 kHz), 64-times over-
STEREO OUT DA converter
sampling (@fs=88.2, 96 kHz) 5
01V96




24-bit linear, 128-times oversampling (@fs=44.1, 48 kHz), 64-times over-
MONITOR OUT DA converter
sampling (@fs=88.2, 96 kHz)
STEREO, BUS1­8, AUX1­8, DIRECT OUT 1­32, INSERT OUT (CH1­32,
Output patch BUS1­8, AUX1­8, STEREO), CASCADE OUT (BUS1­8, AUX 1­8, STEREO,
OMNI OUT 1­4 SOLO)
24-bit linear, 128-times oversampling (@fs=44.1, 48 kHz), 64-times over-
DA converter
sampling (@fs=88.2, 96 kHz)
On/off
Dither
Word length 16, 20, 24-bit
2TR OUT DIGITAL STEREO, BUS1­8, AUX 1­8, DIRECT OUT 1­32, INSERT OUT (CH 1­32,
Output patch BUS 1­8, AUX 1­8, STEREO), CASCADE OUT (BUS 1­8, AUX 1­8, STEREO,
SOLO)
On/off
Dither
Word length 16, 20, 24-bit
ADAT Output STEREO, BUS1­8, AUX 1­8, DIRECT OUT 1­32, INSERT OUT (CH 1­32,
Output patch BUS 1­8, AUX 1­8, STEREO), CASCADE OUT (BUS 1­8, AUX 1­8, STEREO,
SOLO)
Available card Optional digital interface card (MY16, MY8, MY4 series)
On/off
Dither
Option Output (SLOT) Word length 16/20/24-bit
STEREO, BUS1­8, AUX 1­8, DIRECT OUT 1­32, INSERT OUT (CH 1­32,
Output patch BUS 1­8, AUX 1­8, STEREO), CASCADE OUT (BUS 1­8, AUX 1­8, STEREO,
SOLO)
On/off
Comp-type*4
Pre EQ/pre fader/post fader
Attenuator ­96.0 to +12.0 dB (0.1 dB step)
4-band PEQ *5
EQ
On/off
On/off --
STEREO
Fader 100 mm motorized
Balance 127 positions (Left=1­63, Center, Right=1­63)
Delay 0­29100 samples
Displayed on LCD
Metering Peak hold on/off
12-elements x2 LED meters
On/off
Comp-type*4
Pre EQ/pre fader/post fader
Attenuator ­96.0 to +12.0 dB (0.1 dB step)
4-band PEQ *5
EQ
On/off
On/off --
BUS1­8 Fader 100 mm motorized
Delay 0­29100 samples
Level (­, ­130 dB­0 dB)
Bus to stereo On/off
Pan: 127 positions (Left=1­63, Center, Right=1­63)
Displayed on LCD
Metering
Peak hold on/off




6
01V96




On/off
Comp-type*4
Pre EQ/pre fader/post fader
Attenuator ­96.0 to +12.0 dB (0.1 dB step)
4-band PEQ *5
EQ
On/off
AUX1­8
On/off --
Fader 100 mm motorized
Delay 0­29100 samples
Displayed on LCD
Metering
Peak hold on/off
Number of [email protected], 48kHz
effects [email protected], 96kHz
Bypass On/off
INTERNAL EFFECTS
(EFFECT 1­4) In/out 2-in, 2-out
Effect-in from AUX1­8/INSERT OUT
Effect-out to Input patch
Japan 100 V, 50/60 Hz 90 W
Power Requirements U.S/Canada 120 V, 60 Hz 90 W
Others 220-240 V, 50/60 Hz 90 W
Dimensions (H x D x W) 150 x 548 x 436 mm
Net weight 15 kg
Operating free-air temperature range 10­35°C
Storage temperature range ­20­60°C
AC Cable (3P/2P AC plug adapter)
Supplied Accessories CD-ROM (Studio Manager)
Owner's Manual
Studio Manager Installation Guide
Warranty card (J)
Digital interface card (MY16, MY8, MY4 series)
Options
RACK MOUNT KIT: RK1
*1. Total harmonic distortion is measured with a 6 dB/octave filter @ 80 kHz.
*2. Hum & Noise are measured with a 6 dB/octave filter @ 12.7 kHz; equivalent to a 20 kHz filter with infinite dB/octave
attenuation.
*3. See "Gate Parameters" on page 8.
*4. See "Comp Parameters" on page 8.
*5. See "EQ Parameters" on page 7.




EQ Parameters
LOW/HPF L-MID H-MID HIGH /LPF
0.1­10.0 0.1­10.0
Q (41 points) 0.1­10.0 (41 points)
low shelving (41 points) high shelving
HPF LPF
F 20 Hz­20 kHz (1/12 oct step)
±18 dB ±18 dB
G ±18 dB
(0.1 dB step) (0.1 dB step)
(0.1 dB step)
HPF: on/off LPF: on/off




7
01V96




Gate Parameters
Threshold ­54 dB­0 dB (0.1 dB step)
Range ­70 dB­0 dB (1 dB step)
Attack 0 ms­120 ms (1 ms step)
0.02 ms­1.96 s (216 points) @ 48 kHz
0.02 ms­2.13 s (216 points) @ 44.1 kHz
Gate Hold
0.01 ms­981 ms (216 points) @ 96 kHz
0.01 ms­1.06 s (216 points) @ 88.2 kHz
5 ms­42.3 s (160 points) @ 48 kHz
6 ms­46.0 s (160 points) @ 44.1 kHz
Decay
3 ms­21.1 s (160 points) @ 96 kHz
3 ms­23.0 s (160 points) @ 88.2 kHz
Threshold ­54 dB­0 dB (0.1 dB step)
Range ­70 dB­0 dB (1 dB step)
Attack 0 ms­120 ms (1 ms step)
0.02 ms­1.96 s (216 points) @ 48 kHz
0.02 ms­2.13 s (216 points) @ 44.1 kHz
Ducking Hold
0.01 ms­981 ms (216 points) @ 96 kHz
0.01 ms­1.06 s (216 points) @ 88.2 kHz
5 ms­42.3 s (160 points) @ 48 kHz
6 ms­46.0 s (160 points) @ 44.1 kHz
Decay
3 ms­21.1 s (160 points) @ 96 kHz
3 ms­23.0 s (160 points) @ 88.2 kHz


Comp Parameters
Threshold ­54 dB­0 dB (0.1 dB step)
Ratio (x :1) x=1, 1.1, 1.3, 1.5, 1.7, 2, 2.5, 3, 3.5, 4, 5, 6, 8, 10, 20, (16 points)
Out gain 0 dB to +18 dB (0.1 dB step)
Knee Hard, 1, 2, 3, 4, 5 (6 step)
Compressor Attack 0 ms­120 ms (1 ms step)
5 ms­42.3 s (160 points) @ 48 kHz
6 ms­46.0 s (160 points) @ 44.1 kHz
Release
3 ms­21.1 s (160 points) @ 96 kHz
3 ms­23.0 s (160 points) @ 88.2 kHz
Threshold ­54 dB to 0 dB (0.1 dB step)
Ratio (x :1) x=1, 1.1, 1.3, 1.5, 1.7, 2, 2.5, 3, 3.5, 4, 5, 6, 8, 10, 20, (16 points)
Out gain 0 dB to +18 dB (0.1 dB step)
Knee Hard, 1, 2, 3, 4, 5 (6 points)
Expander Attack 0 ms­120 ms (1 ms step)
5 ms­42.3 s (160 points) @ 48 kHz
6 ms­46.0 s (160 points) @ 44.1 kHz
Release
3 ms­21.1 s (160 points) @ 96 kHz
3 ms­23.0 s (160 points) @ 88.2 kHz




8
01V96




Threshold ­54 dB to 0 dB (0.1 dB step)
Ratio (x :1) x=1, 1.1, 1.3, 1.5, 1.7, 2, 2.5, 3, 3.5, 4, 5, 6, 8, 10, 20 (15 points)
Out gain ­18 dB to 0 dB (0.1 dB step)
Width 1 dB­90 dB (1 dB step)
Compander H Attack 0 ms­120 ms (1 ms step)
5 ms­42.3 s (160 points) @ 48 kHz
6 ms­46.0 s (160 points) @ 44.1 kHz
Release
3 ms­21.1 s (160 points) @ 96 kHz
3 ms­23.0 s (160 points) @ 88.2 kHz
Threshold ­54 dB to 0 dB (0.1 dB step)
Ratio (x :1) x=1, 1.1, 1.3, 1.5, 1.7, 2, 2.5, 3, 3.5, 4, 5, 6, 8, 10, 20 (15 points)
Out gain ­18 dB to 0 dB (0.1 dB step)
Width 1 dB­90 dB (1 dB step)
Compander S Attack 0 ms­120 ms (1 ms step)
5 ms­42.3 s (160 points) @ 48 kHz
6 ms­46.0 s (160 points) @ 44.1 kHz
Release
3 ms­21.1 s (160 points) @ 96 kHz
3 ms­23.0 s (160 points) @ 88.2 kHz



Libraries
Presets 44
Effect library (EFFECT 1­4)
User memories 76
Presets 36
Compressor library
User memories 92
Presets 4
Gate library
User memories 124
Presets 40
EQ library
User memories 160
Presets 2
Channel library
User memories 127
Presets 1
Input patch library
User memories 32
Presets 1
Output patch library
User memories 32




9
01V96




Analog Input Spec
Input level
Actual Load For Use With
Input PAD GAIN Max. Connector
Impedance Nominal Sensitivity*1 Nominal
before clip
­70 dB ­60 dB ­40 dB
­60 dB
(0.245 mV) (0.775 mV) (7.75 mV) A: XLR-3-31 type
0 50­600
INPUT A/B ­26 dB ­16 dB +4 dB (Balanced)*2
3k Mics & 600
1­12 (38.8 mV) (123 mV) (1.23 V) B: Phone jack
­16 dB Lines *3
­6 dB +4 dB +24 dB (TRS) (Balanced)
20
(338 mV) (1.23 V) (12.28 V)
­36 dB ­26 dB ­6 dB
­26 dB
(1.23 mV) (38.8 mV) (388 mV) Phone jack (TRS)
INPUT 13­16 -- 10k 600 Lines
­6 dB +4 dB +24 dB (Balanced) *3
+4 dB
(388 mV) (1.23 V) (12.28 V)
CH INSERT IN ­12 dB ­2 dB +18 dB Phone jack (TRS)
-- 10k 600 Lines
1­12 (195 mV) (616 mV) (6.16 V) (Unbalanced) *4
­10 dB ­10 dBV +10 dBV RCA pin jack
2TR IN [L, R] -- 10k 600 Lines
(316 mV) (316 mV) (3.16 V) (Unbalanced)
*1. Sensitivity is the lowest level that will produce an output of +4 dB (1.23 V) or the nominal output level when the unit
is set to maximum gain. (All faders and level controls are maximum position.)
*2. XLR-3-31 type connectors are balanced (1=GND, 2=HOT, 3=COLD).
*3. Phone jacks are balanced (Tip=HOT, Ring=COLD, Sleeve=GND).
*4. CH INSERT IN/OUT phone jacks are unbalanced. (Tip=OUTPUT, Ring=INPUT, Sleeve=GND).

In these specifications, when dB represents a specific voltage, 0 dB is referenced to 0.775 Vrms.
For 2TR IN levels, 0 dBV is referenced to 1.00 Vrms.
All input AD converters (CH INPUT 1­16) are 24-bit linear, 128-times oversampling. (@fs=44.1, 48 kHz)
+48 V DC (phantom power) is supplied to CH INPUT (1­12) XLR type connectors via individual switches.
Three PHANTOM +48V switches CH1­4, 5­8, 9­12 turn on the phantom power for inputs 1­4, 5­8, 9­12 respectively.



Analog Output Spec
Actual Output level
For Use With
Output Source Max. Connector
Nominal Nominal
Impedance before clip
+4 dB +24 dB
STEREO OUT [L, R] 150 600 Lines XLR-3-32 type (Balanced) *1
(1.23 V) (12.28 V)
+4 dB +24 dB
OMNI OUT 1­4 150 10k Lines Phone jack (TRS) (Balanced)*2
(1.23 V) (12.28 V)
+4 dB +24 dB
MONITOR OUT [L, R] 150 10k Lines Phone jack (TRS) (Balanced)*2
(1.23 V) (12.28 V)
­2 dB +18 dB Phone jack (TRS) (Unbal-
CH INSERT OUT 1­12 600 10k Lines
(616 mV) (6.16 V) anced) *3
­10 dBV +10 dBV
2TR OUT [L, R] 600 10k Lines RCA Pin Jack (Unbalanced)
(316 mV) (3.16 V)
8 Phones 4 mW 25 mW Stereo Phone Jack (TRS)
PHONES 100
40 Phones 12 mW 75 mW (Unbalanced) *4
*1. XLR-3-32 type connectors are balanced (1=GND, 2=HOT, 3=COLD).
*2. Phone jacks are balanced (Tip=HOT, Ring=COLD, Sleeve=GND).
*3. CH INSERT IN/OUT phone jacks are unbalanced. (Tip=OUTPUT, Ring=INPUT, Sleeve=GND).
*4. PHONES stereo phone jack is unbalanced (Tip=LEFT, Ring=RIGHT, Sleeve=GND).

In these specifications, when dB represents a specific voltage, 0 dB is referenced to 0.775 Vrms.
2TR OUT [L, R] levels, 0 dBV is referenced to 1.00 Vrms.
All output DA converters are 24-bit, 128-times oversampling. (@fs=44.1, 48 kHz)




10
01V96




Digital Input Spec
Input Format Data length Level Connector
2TR IN DIGITAL IEC-60958 24-bit 0.5 Vpp/75 RCA pin jack
ADAT IN ADAT *1 24-bit -- OPTICAL

*1. ALESIS proprietary multichannel optical digital interface format



Digital Output Spec
Output Format Data length Level Connector

2TR OUT DIGITAL IEC-60958 *1 0.5V pp/75 RCA pin jack
24-bit *3
Consumer use
ADAT OUT ADAT *2 24-bit *3 -- OPTICAL

*1. Channel status of 2TR OUT DIGITAL
Type: linear PCM
Category code: Digital signal mixer
Copy prohibit: NO
Emphasis: NO
Clock accuracy:Level II (1000 ppm)
Sampling rate: depends on the internal configuration

*2. ALESIS proprietary multichannel optical digital interface format

*3. Dither: word length 16/20/24 bit



I/O Slot Spec
Each I/O SLOT accepts a Digital interface card. SLOT1 has a serial interface.
The
OUTPUT number of
Maker Model Function INPUT *1 Format Resolution Frequency Note
Available
cards
MY8-AT 8 8 20 bit 44.1/48 kHz 1
ADAT
MY16-AT 16 16 44.1/48 kHz 1 Can handle
24 bit/96 kHz by
MY8-TD 8 8 TASCAM 44.1/48 kHz 1 double channel mode
MY8-AE Digital I/O 8 8 44.1/48 kHz 1
24 bit Sampling Rate Con-
MY8-AE96S 8 8 AES/EBU 44.1/48/88.2/96 kHz 1
verter for input
MY8-AE96 8 8 44.1/48/88.2/96 kHz 1
Yamaha
MY4-AD 4 -- -- 44.1/48 kHz 1
MY8-AD 8 -- -- 20 bit 44.1/48 kHz 1
ANALOG IN
MY8-AD24 8 -- -- 44.1/48 kHz 1
24 bit
MY8-AD96 8 -- -- 44.1/48/88.2/96 kHz 1
MY4-DA -- 4 -- 20 bit 44.1/48 kHz 1
ANALOG OUT
MY8-DA96 -- 8 -- 44.1/48/88.2/96 kHz 1
MY-mLAN mLAN Interface 8 8 IEEE1394 44.1/48 kHz 1 Maximum 5 nodes
Waves Y56K Effect & I/O 8 8 ADAT 24 bit 44.1/48 kHz 1
AP8AD ANALOG IN 8 -- -- 44.1/48/88.2/96 kHz 1
Apogee 4ch @fs=88.2, 96 kHz
AP8DA ANALOG OUT -- 8 -- 44.1/48/88.2/96 kHz 1

*1. Selectable from STEREO/BUS/AUX/DIRECT/OUT/INSERT OUT/CASCADE OUT (STEREO, BUS1­8, AUX1­8, SOLO).
Details depend on each interface card.




11
01V96




Control I/O Spec
I/O Port Format Level Connector in Console
TO HOST USB USB 0 V­3.3 V B type USB connector
IN *1 MIDI -- DIN Connector 5P
MIDI OUT MIDI -- DIN Connector 5P
THRU MIDI -- DIN Connector 5P
IN -- TTL/75 BNC Connector
WORD CLOCK
OUT -- TTL/75 BNC Connector

*1. MIDI IN can use as TIME CODE IN MTC.




DIMENSIONS

Top view Front view



430 (Not included Screw Heads)
436 (Included Screw Heads)




350




Side view
150




101 350
540 Units: mm
548




12
01V96


PANEL LAYOUT

Control Panel

AD Input Section (p. 14) SCENE MEMORY Section (p. 17)




CH1-4 CH5-8 CH9-12

1 2 3
5 4 6 7 8 9 10 11 12 PHANTOM +48V
13 15

L


A A A A A A A A A A A A Monitor Out
DISPLAY ACCESS 14 16 R


INPUT
B B B B B B B B B B B B
IN OUT & Head-
Section (p. 16) (BAL)


INSERT
2TR
-10dBV (UNBAL)
PHONES
phones Sec-
OUT IN
(UNBAL)


INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O
CH15/16
2TR IN
MONITOR
2TR IN
tion (p. 14)
PAD
20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB
+4 GAIN -26 +4 GAIN -26 0 10 0 10
LEVEL LEVEL


MONITOR PHONES
OUT
-16 -60 -16 -60 -16 -60 -16 -60 -16 -60 -16 -60 -16 -60 -16 -60 -16 -60 -16 -60 -16 -60 -16 -60 +4 GAIN -26 +4 GAIN -26
GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN

PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK
13 14 15 16
SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL



DISPLAY ACCESS SCENE MEMORY



SCENE DIO/SETUP MIDI UTILITY
SOLO Section (p. 18)
STORE RECALL SOLO CLEAR


OVER SELECTED CHANNEL
/ INSERT/ PAN/ PAIR/ PATCH
DELAY ROUTING GROUP 0
-3



FADER MODE DYNAMICS EQ EFFECT VIEW
Display Section -6
-9
PAN DEC INC



Data Entry
-12



Section (p. 16)
FADER MODE
(p. 17) -15
-18
EQUALIZER



AUX 1 AUX 2 AUX 3 AUX 4
-24